{"id":2233,"date":"2019-03-25T20:24:05","date_gmt":"2019-03-25T17:24:05","guid":{"rendered":"https:\/\/voxmediiaevi.com\/?page_id=2233"},"modified":"2026-05-30T20:13:22","modified_gmt":"2026-05-30T17:13:22","slug":"2018-2-demchuk","status":"publish","type":"page","link":"https:\/\/voxmediiaevi.com\/en\/volumina\/2018-2\/2018-2-demchuk\/","title":{"rendered":"2018-2-Demchuk"},"content":{"rendered":"<p><em>Demchuk S.&nbsp;A.<\/em> The Spanish Fury in&nbsp;Frans Hogenberg\u2019s Engravings (1535\u20131590): \u00abWandering\u00bb Images of&nbsp;the Eighty Years\u2019 War [Digital Resource] \/\/ Vox medii aevi.&nbsp;2018. Vol.&nbsp;2(3). P.&nbsp;167\u2013194. URL: <a href=\"https:\/\/voxmediiaevi.com\/2018-2-demchuk\">https:\/\/voxmediiaevi.com\/2018-2-demchuk<\/a><br>DOI: 10.24411\/2587-6619-2018-00020<\/p>\n\n\n<h4 class=\"wp-block-heading\" id=\"download-the-article\"><strong>&gt; <a aria-label=\"\u0421\u0442\u0430\u0442\u044c\u044f \u0432 PDF (\u043e\u0442\u043a\u0440\u043e\u0435\u0442\u0441\u044f \u0432 \u043d\u043e\u0432\u043e\u0439 \u0432\u043a\u043b\u0430\u0434\u043a\u0435)\" href=\"https:\/\/voxmediiaevi.com\/wp-content\/uploads\/2019\/03\/VMA-2018-2-167-194-demchuk.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Download the article<\/a><\/strong><\/h4>\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n<h3 class=\"wp-block-heading\" id=\"stefaniiademchuk\">Stefaniia\nDemchuk<\/h3>\n\n\n<p>Candidate of Sciences (History), Assistant lecturer at the Chair of Art History, Taras Shevchenko National University of Kyiv <br>stephanierom07@gmail.com<\/p>\n\n\n<h2 class=\"wp-block-heading\" id=\"the-spanishfury-in-frans-hogenbergs-engravings-15351590-wandering-images-of-theeighty-years-war\">The Spanish\nFury in Frans Hogenberg\u2019s Engravings (1535\u20131590): \u201cWandering\u201d Images of the\nEighty Years\u2019 War<\/h2>\n\n\n<p>This paper aims to analyse the construction of the \u201cSpanish Fury\u201d image in engravings during the Eighty Years War. In the focus of this research are engravings by Frans Hogenberg published in 1572\u20131576 and depicting \u201cthe bloodbaths\u201d in Naarden, Zutphen as well as the capture and looting of Antwerp later named \u201cthe Spanish Fury\u201d. They were used to illustrate two co-existing phenomena: constructing of the image of \u201cthe Spanish Fury\u201d by Hogenberg himself and copying as well as borrowing of certain elements from his engravings in other ones (published to illustrate \u201cthe History of Spanish Tyranny in the Netherlands\u201d and tractate \u201cOrigin, Beginning, and Continuation of the Dutch Wars\u201d by Pieter Bor). <\/p>\n\n\n\n<p>Current research has detected two key topics addressed by this series: the city on fire and the tortures committed by Spanish soldiers (\u201cthe tyranny\u201d). The city was considered to be the symbol of the prosperity of the Netherlands that gave a huge potential to contrasting it with its antitype \u2014 the razed and looted ruins. The second topic is related with the outrageous scale of atrocities committed by \u201cthe godless\u201d (<em>Ger.<\/em> \u201cgottlosen\u201d) Spaniards associating them with the established perception of the Spanish Inquisition introduced in the Netherlands in the 1520s by Charles V.<\/p>\n\n\n\n<p>It&nbsp;is\nevident that Hogenberg had been consciously constructing his war images. They\nunderwent numerous further constructions and deconstructions serving the needs\nof&nbsp;the audience and authors, and have become an&nbsp;essential tool of&nbsp;the\nanti-Spanish propaganda of&nbsp;the Seventeenth century United Provinces.<\/p>\n\n\n\n<p><em>Key words: <\/em>Frans Hogenberg; Imagology; Propaganda; Spanish Fury; the Alien; the Eighty Years War.<\/p>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":2304,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","generate_page_header":"","footnotes":""},"class_list":{"0":"post-2233","1":"page","2":"type-page","3":"status-publish","5":"no-featured-image-padding"},"_links":{"self":[{"href":"https:\/\/voxmediiaevi.com\/en\/wp-json\/wp\/v2\/pages\/2233","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/voxmediiaevi.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/voxmediiaevi.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/voxmediiaevi.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/voxmediiaevi.com\/en\/wp-json\/wp\/v2\/comments?post=2233"}],"version-history":[{"count":15,"href":"https:\/\/voxmediiaevi.com\/en\/wp-json\/wp\/v2\/pages\/2233\/revisions"}],"predecessor-version":[{"id":52948,"href":"https:\/\/voxmediiaevi.com\/en\/wp-json\/wp\/v2\/pages\/2233\/revisions\/52948"}],"up":[{"embeddable":true,"href":"https:\/\/voxmediiaevi.com\/en\/wp-json\/wp\/v2\/pages\/2304"}],"wp:attachment":[{"href":"https:\/\/voxmediiaevi.com\/en\/wp-json\/wp\/v2\/media?parent=2233"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}